The show has been on air for a couple of days now, but its impact on me is still so strong that I can’t get it out of my head, which is exactly why lists of Kdramas Like Can This Love Be Translated feel necessary. The storyline spins around an actress who is world-renowned and a professional interpreter, and their relationship is built up slowly through passing over borders and sharing of simple but laden with feelings moments.
To begin with, Kim Seon-ho in the role of Ho-jin, with his dimples working their magic, and the very natural and believable chemistry he has with Go Youn-jung’s Cha Mu-hui, are the main reasons why the saga sticks in mind even after watching the last episode, while Fukushi Sota’s Kurosawa Hiro brings yet another dimension to the emotional interplay.
At first sight, 이 사랑 통역 되나요 gave an impression of an ordinary love story; however, once you get drawn into it, you clearly see a romantic tale that is not accompanied by the high-sounding words and the like twists of fate. Rather, it puts the focus on silence and hesitation and goes through the concept that the whole humankind speaks with different languages of love, emotional, psychological, and often unspoken, and that sometimes the feelings do not fade away just because they are not real, it stumbles because it has to be interpreted, slowly and imperfectly, by two persons who are still not very skilled in expressing their emotions.
If you got attracted to that muted melancholy, the psychological undertones, and romances that feel more felt than said, here are six K-dramas that live in the same emotional territory.
Kdramas Like Can This Love Be Translated
Dear Hyeri
If Can This Love Be Translated? made you think about how the mind protects itself, Dear Hyeri takes that idea and brings it frightfully close to the house. Joo Eun-ho is played by Shin Hye-sun, and she is an announcer who has been neglected, unheard and emotionally bruised for more than ten years professionally and romantically. Joo Hye-ri, her alter ego, is everything that she is not: bright, fearless, and emotionally liberated.
What makes this drama hit hard is its very gentle approach to dissociation and identity. Similar to Mu-hee’s Do Ra-mi, Hye-ri is not considered a plot twist but rather an emotional coping mechanism. The love story, positioned between a painful past romance and a calmer, more solid presence, never steals Eun-ho’s internal conflict. It’s a story of healing, yet not an easy one.
Lost
Lost is meant for people who are not looking for verbose explanations. This drama is the one steeped in silence, glances and emotional exhaustion. Jeon Do-yeon and Ryu Jun-yeol are a couple who seem to feel that life has already passed them, though they are still alive. Very similar drama to Can This Love Be Translated?, the love is here, not loud and reassuring. It is fragile, almost insecure, relying on shared loneliness, not on chemistry-driven attraction, as the basis of the bond. Trauma is not overcome; it is borne. Love does not redeem anyone; it merely makes the struggle feel less lonely.
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My Liberation Notes
This drama gets emotional suppression so well that it can even be described as cellular understanding. The characters of My Liberation Notes all have difficulty expressing their feelings about desire, achievement, or even that they are happy. The love story between Yeom Mi-jeong and Mr Gu is particularly free from the traditional storyline and is instead recognised by feeling.
If you could relate to Ho-jin’s silent endurance or Mu-hee’s incapacity to express her requirements, then this drama will definitely be a hard one for you to watch. It’s slow, very contemplative, and not at all interested in giving satisfying plot rewards. What it does instead is to question the value of wanting to be connected when one hardly knows himself/herself.
Call It Love
This is a love story created from sorrow and emotional neglect. Han Dong-jin and Sim U-ju do not show excitement or suddenly take action; instead, they are tired, withdrawn, and not even sure if love is a thing they are allowed to want. Just like Can This Love Be Translated?, the tempo is slow, almost heavy, and the emotional burden comes from the silence between the words.
What is remarkable is that love is depicted not as a way out, but as a soft recognition of a collective hurt. There is no hurry to go through a healing process, but rather small increments of comprehension that seem to be won rather than scripted.
Encounter
At first sight, Encounter looks to be more of a classic case: the story of a renowned lady, an average guy, and an accidental meeting in a foreign land. However, a richly controlled love story dealing with loneliness, imbalance of power, and fear of feelings is going on inside the glamorous exterior.
Song Hye-kyo’s portrayal of the character is in several ways the same as that of Mu-hee, a woman who is successful, for instance, and admired but lonely to the core. Their love gradually gets exposed, weighed down by the public’s watching and the couple’s own doubts. This is less falling in love and more learning how to stay in it.
When the Weather Is Fine
The drama gives a subtle and respectful treatment to emotional wounds. The two main characters both go through childhood trauma that affects their emotional barrier, and their love grows not because of spectacular incidents but rather of mutual reliability and comfort.
As in the case of Can This Love Be Translated?, the healing here is psychological. Love does not remove the past; it only makes confronting the past less frightening. The slow tempo, gentle environment, and emotional reflection make it a perfect follow-up for those who liked the understated style of the Mu-hee and Ho-jin story.
So if you are looking for drama such as Can This Love Be Translated, that tells you about the love that is hard to express, trauma that is not easy to bury, and the characters that seem more genuine than idealised, then you need to check these out.
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